@EXIT Festival Montevideo

Creations

  • A guardia di una fede - OPUS 1 (new version 2023)

    Amplified rituals for percussions, objects and liquids

    Concert in “Friendly Take Over“ Gare du Nord Basel

  • Materiale - séries de tableaux vibrants (2022-23)

    Installation

    winner of the Bourse Entr’acte 2022 Kanton Bern

  • Laquelle se passe ailleurs (2023)

    Creation with Compagnie MixtForma

    Residences: Abbaye de Royamont (FR), OXIL Zofingen,

    PROGR Bern, IRCAM Paris.

    Shows: Rennweg Bienne, Gare du Nord Basel, IRCAM Paris,

    Musikfestival Bern.

  • Materiale (2021)

    Performative installation for Ensemble Vortex Genève

    For woofers, canvas, ultrasonic speakers, sables, stones and torche

    lights

    Supported by Ensemble Vortex Composers’ Next Generation

    Residence and premiere in l’Abri Genève and Festival

    Archipel Genève.

  • LIMBO (2022)

    Concept, creation and live electronics: Marie Delprat

    Amplified and prepared percussions: Stanislas Pili

    Scenography: Thomas Giger:

    Audio technique: Maxime Le Saux

    Dramaturgie: Emmanuelle Delprat

    Oh La La Performing Art Productions

    Artistic residence: Damfzentrale Bern

    Shows: Damfzentrale Bern and Sonic Matter Festival Zürich

  • Rituali fondamentali (2021)

    Amplified ready-mades from 2020/21, for hydrophones, sponges,

    and spray

    Commission by Festival Out of Space Bern

  • Nucleo (2021)

    for snare drum, sax and transducer

    Commission by Duo Dubois for the “Suitcase” Project

    Composition: Stanislas Pili

    Percussion: Federico Tramontana

    Sax: Alberto Cavallaro

    Premiere: Festival Spazio Musica Cagliari

  • Colore (2021)

    For one performer, tape, reversed quadraphony and ultrasonic

    speakers

    Written for Chloé Bieri - “Vague” Project

    Composition: Stanislas Pili

    Solo voice: Chloé Bieri

    Shows: PAKT Bern, Le Pommier Neuchâtel, IGNM Zürich,

    BAM Berlin.

  • A guardia di una fede OPUS 2 (2020)

    Alchemic music theatre for solids and liquids

    Concept, composition and performance: Stanislas Pili

    Technique: Yesid Fonseca, Maxime Le Saux, Erwin Fonseca

    Tapes mix and arrangement: Stanislas Pili

    Live video composition: Stanislas Pili

    With musics of: Stanislas Pili, Andrea Marazzi, Ivan

    Wyschnegradsky, Bruno Martino, Carlo Barbagallo, Gioachino

    Rossini

    Projections: Scans from the manuscript Praetiosissimum

    Donum Dei (1473) by Georgius Aurach - Bibliothèque

    Nationale de France.

    Shows: Gare du Nord Basel, SMC Lausanne, Les Jardins

    Musicaux Cernier, EXIT Festival Montevideo

  • Regime Orizzontale & Regime Verticale (2020)

    For hyper amplified and prepared bass-drum

    Composition: Stanislas Pili (2018)

    Shows: Foresty Festival Montaldeo, Soapbox PAKT Bern,

    Bozar Bruxelles (played by Federico Tramontana), Taverna

    Maderna Padova (played by Alberto Anahus)

  • A S.A.D crap (A Post Modern Classic) (2019)

    For a interactive suitcase and performer

    Freely inspired by “The last tape of Krapp) by Samuel Beckett

    Concept, composition and electronics: Carlo Barbagallo

    Concept, staging and video: Elaine Carmen Bonsangue

    Performance: Stanislas Pili

    Premiere: Musica in Prossimità Pinerolo

  • A guardia di una fede OPUS 1 (2019)

    For prepared and hyper amplified objects and percussions

    Composition and performance: Stanislas Pili

    Co-composition and live mix: Fabrizio di Salvo

    Special Mention in Concours Nicati Open Space 2019

  • The one and the many (2019)

    For one performer, table and electronics

    Composition and electronics: Fabrizio di Salvo

    Performance and co-creation: Stanislas Pili

    Premiere in HKB Bern

  • Avec orgueil et honte (2018)

    mémoires d’une chanteuse soliste

    Co-création by Chloé Bieri and Stanislas Pili for

    female voice, electronics and video

    Performance: Chloé Bieri

    Staging: Stanislas Pili

    Music: Chloé Bieri, Stanislas Pili and Carlo Barbagallo 

    Realised in Usinesonore Bienne

  • Study for Voice, Percussion, Video and amplified “bregungia” (2018)

    For two performers and fixed media

    Co-composition: Chloé Bieri and Stanislas Pili

    Premiere in HKB Bern

  • Miniatura Sintetica (2018)

    For objects, lights and analogic photosensor instruments

    Composition: Stanislas Pili

    Co-creation: Corentin Barro

    With electroacoustic instruments hand-made by Alessandro

    Merlo.

    Shows: HKB Bern, Musica in Prossimità Pinerolo (in duo with

    Carlo Barbagallo)

  • Coerenza (2018)

    For percussions, objects and fixed media

    Collective composition: Elena Ghigas, Carlo Barbagallo,

    Stanislas Pili

    Performance: Stanislas Pili

    Premiere: Darmstadt Ferienkurse für Neue Musik

  • Mentalità (2016)

    Concerto for percussions and electronics

    Collective composition by CoMET

    (Collectivo Musica Elettroacustica Torino)

    Percussions: Stanislas Pili

    Live Electronics: Carlo Barbagallo

    Premiere: Superbudda Torino

  • Clemence “esperimenti audio-teatrali” (2016)

    Spectacle for electronics, voice, guitar, percussions and hand made instruments

    Collective composition and performance: CoMET

    Collectivo Musica Elettroacustica Torino

    Premiere: Teatro del lavoro Torino